Showing posts with label rhythm. Show all posts
Showing posts with label rhythm. Show all posts

Wednesday, January 18, 2012

Tude.

Today I got to deal with my first minor discipline issue. Not anything huge, just some tude going on. What is "tude," you ask? Don't worry, I got you covered.

Today the only class we had was first hour sixth grade, as it was the first day of exams and Lizzy has second hour planning period. I had the whole hour to work with them on a continuation of what we did yesterday.

After moving to the beat like we did yesterday (and nipping side conversations in the bud!), I asked the students a few questions about what we did yesterday, and informed them of a few things we would try to accomplish today.

I don't remember the exact moment it occurred, but at some point a student sitting right in the front row--let's call him George--decided that he was going to make a sarcastic response to everything I said. The first time or two I gave him a look and he stopped, but one comment was defiant, verging on downright mean.

My tone changed from "let's get down to business," to "defeating the huns," so to speak (...yup).

"No," I said sharply, "That was not appropriate."

The students hadn't really seen me get harsh before, so I heard a few ascending "ooooooh's" arise.

George didn't give me any more lip for the rest of the class, even if he was a bit sullen for a short while when he didn't get placed in a group with his usual buddies. However, he showed he understood the material when he started piping up with suggestions later on in class.

In the twenty minutes before class I split them into different groups than the ones they were in yesterday. Yes, there were some really confident groups yesterday, but there were also one or two super chatty ones wherein the group members got off task easily. I was careful to place one really strong leader in each group, as well as at least one person to balance them and make sure they checked their work. Today they were in six groups of four instead of five groups, making individual contributions that much more important.

The mission for the small group work was similar to yesterday, with the exception that all students had to memorize the four-measure phrase of rhythm they created. The purpose of memorization? Performing with other groups in a "battle of the bands" type situation where the rest of the class would vote on the winning group.

I walked around to each group, checking their progress. After the first round I challenged the groups to have their rhythms complete and memorized for the second time I came around. At that point I should have just given them a time limit and told all the groups to have it performance ready at the end of the time limit. However, I made a second round and checked groups for accuracy, involvement, and teamwork. Until typing just now, I was stumped by what to have them do after I visited their group a second time. It makes infinitely more sense just to have them jump right in to performing and critique. I was just erring on the side of having everyone fully prepared and successful.

When all the groups had shown me they were ready, everyone sat back in their seats and two groups volunteered to go first. I put on "Firework," by Katy Perry (which was a tad fast, but challenged them nicely), and after getting the whole class to feel the beat, the first group performed their rhythm. Classmates volunteered three things they liked, and then three things they could improve on, and the group performed it again. Then group 2 went through the same process.

The next step, which I had told them about before, was putting the two rhythms together. Group 1 performed, then I counted off group 2, and then I counted off both of the groups so that they performed their rhythms together. The class got a huge kick out of it, and the performers realized that it was actually easier to stay on the beat when they listened to the other group performing with them.

I then asked the audience to put up fingers signifying which group they thought "won" the "battle of the bands." The class voted for group 2, and I asked them for three reasons why. They replied that group 2 was more together, louder, and had no memory slips.

At this point I wish I had addressed that the students were critiquing each other not only on musical accuracy, but on expression and teamwork. I wish that I had pointed out how supportive and observant the students were being. I was so concerned about time, however, that I completely flew past that.

The second set of groups got up, and while waiting for group 4 and myself, group 3 took it upon themselves to practice their rhythm.

"What is this group doing?" I asked the class.
"Talking!" was the general answer, but amid that I heard one lonely "Practicing!" cry out.
"Exactly! Practicing!" I then launched into a side note about how professional musicians warm up before they perform, and often will quickly run through some difficult passages before they perform. It wasn't something that was part of my lesson, but the students seemed intrigued.

I ran out of time, so only four groups got to perform. However, all students who weren't performing were actively engaged and contributing to critique. There was a point during the lesson wherein I had to make a decision: is it more important for all students to experience it, or for students to be successful? I think that in this particular case, more students were successful because they really analyzed what was happening with each group's performance.

There were many things I would change, but I'm pretty happy with how today's lesson went. Overall it was a "take charge" kind of day.

Tuesday, January 17, 2012

1-2-3-4

I worked with the sixth graders today on rhythm improvisation and composition with a bit of performance thrown in, while tomorrow's mini-lesson will focus on composition and performance.

First, Lizzy gave me the power of her iPod and speakers to do some finding the beat and practice rhythms with the kids. The whole activity is very physical, and the students really start to wake up if it's a song they like and they see you enjoying it as well! First we nod our heads to find the beat, then we step side-to-side on the beat (right-touch-left-touch). Next we find micro- and macro-beats with our hands, either swaying for whole or half notes, or tapping our breastbone for quarter and eighth notes.

After we do some movement and get the beat in our bodies, the teacher holds up rhythm cards and the students step to the quarter note while performing the written rhythms.

Honestly, this is probably my new favorite activity. Lizzy does this with her choirs as well as her sixth graders, and it clearly improves their sight-reading. I think this is something every choir would benefit from, if only to loosen tension and to remember music is something to move to.

The next part of my particular mini-lesson involved call-and-response rhythms: I performed a measure of rhythm, the students would repeat it back to me. After about eight of these, I called on a student to create his own measure that we would repeat. He was thrown off, but successfully created a measure. I called on a few more students who were thrown off, but the class repeated their measures back to them, and the last five or so students were very successful in saying their rhythm actually in time with the music playing!

After the song ended, I split up the students into their previous card game groups with the mission of creating four measures of rhythm in every group, two measures of which must have some kind of rest. I informed them that once every group was done, they would be performing for the class.

I realized after a few minutes that some of the students who were leaders in the card game were bashful and uncertain during this activity, so that's something I can change for tomorrow.

Generally this lesson went pretty well, but I wasn't paying close enough attention to everyone in the class while working with the performers. I also think I need to be clearer about what exactly I expect from the students when they are working, and when they are watching their classmates perform.

Lizzy has a whole playlist for just movement in the classroom, comprised of pop songs with very specific standards:

1) Moderate tempo - Students need to be able to step to each side to the beat and not be rushing or waiting. They also need to be able to perform eighth note rhythms, sometimes sixteenth notes. The tempi of Adele's "Rolling in the Deep" or Smash Mouth's "All-Star" are about perfect. This rules out any Aquabats songs (too fast), and unfortunately some of my more favorite Billy Joel tunes (too slow).

2) Strong emphasis ON the beat - (Typing that made me think of the Minnesota ATP choreographer in Drop Dead Gorgeous shouting "ON THE BEAT!"...for those of you in the know.)
Good examples: "Staying Alive," by the BeeGees, and "Float On," by Modest Mouse.
Unfortunately unusable: "The Longest Time," by Billy Joel (emphasis in the "whoaa" sections on the backbeat). Also, though it has a solid tempo for this sort of thing, and might work a little later for syncopation, "Brat Pack," by The Rocket Summer. The accompaniment accents 1(2)&(34)&12&(34).

3) Clean Language - I'm talking not even one. Word.
Good examples: "Firework," by Katy Perry, and "Ain't Too Proud to Beg," by The Temptations.
Unfortunately unusable: Pretty much anything by Lady Gaga. "Bad Romance" has all the elements except for number 3, and that makes me very sad.
Not-so-unfortunately unusable: Most rap and hippety-hop. However, there are of always exceptions.

I went through some of my music to try and find my own additions, and while I was disappointed in some songs for their single coarse word or too sprightly a tempo, I was pleasantly surprised at what I did find that fit the criteria:

"You & Me," by Tally Hall
"In the End," by Linkin Park
"Larger Than Life," by the Backstreet Boys
"Story of a Broken Heart," by Malbec

And a few other selections that I've of course forgotten by now. I was particularly tickled that "In the End" is as perfect as it is.

Tomorrow brings another day of scouring my music library, performing rhythms with sixth graders, and of course, writing the dreaded choir final for Thursday and Friday.

(dramatic horn cue)